IMAGENS LITERÁRIAS DO EXISTENCIALISMO EM HUIS CLOS, DE JEAN-PAUL SARTRE
DOI:
https://doi.org/10.46551/issn2179-6793RA2023v25n1_a14Keywords:
Sarte, Existentialism, Philosophy, LiteratureAbstract
This article provides an analysis of the theatrical play titled "No Exit"(“Huis clos”), written by Jean-Paul Sartre in 1944, it engages in a dialogue with some significant aspects of their existentialist conceptions. Like this, furthermore elucidates the various
interpretations held by scholars regarding the entirety of Sartre's oeuvre, supporting the perspective that posits a correspondence between his literary texts and his philosophical texts from the understanding that both equally serving the purpose of expose his thought without assumed hierarchies or subjugations between them. To achieve this, the article
synthesizes the plot unfolding in the aforementioned play, highlighting the presence of concepts central to Sartre's theory. Ultimately, it aims to demonstrate how the interpretation of the analyzed play can extend beyond the commonly known perspective, where it is seen as an allusion to the chaotic aspect of human intersubjectivity.
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